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	<title>Old English Rose Reads &#187; Ted Hughes</title>
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		<title>&#8216;Wolfwatching&#8217; by Ted Hughes</title>
		<link>http://oldenglishrose.dmi.me.uk/2011/02/25/wolfwatching/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wolfwatching</link>
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		<pubDate>Fri, 25 Feb 2011 17:01:41 +0000</pubDate>
		<dc:creator>oldenglishrose</dc:creator>
				<category><![CDATA[Book Review]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Ted Hughes]]></category>

		<guid isPermaLink="false">http://oldenglishrose.dmi.me.uk/?p=1098</guid>
		<description><![CDATA[If you were to ask me to name my favourite poet, I would have a very hard time naming just one, as I read different people for different things.  I read Robert Browning for his amazing dramatic monologues; John Donne for his fiery passion, whether holy or secular; W. B. Yeats for his mysticism and [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://oldenglishrose.dmi.me.uk/wp-content/uploads/2011/02/Wolfwatching.jpg"><img class="alignleft size-full wp-image-1099" title="Wolfwatching" src="http://oldenglishrose.dmi.me.uk/wp-content/uploads/2011/02/Wolfwatching.jpg" alt="" width="140" height="221" /></a>If you were to ask me to name my favourite poet, I would have a very hard time naming just one, as I read different people for different things.  I read Robert Browning for his amazing dramatic monologues; John Donne for his fiery passion, whether holy or secular; W. B. Yeats for his mysticism and occultism; Shakespeare for wit and brilliance; Hillaire Belloc, Edward Lear and Lewis Carroll for their humour; and there are a host of others I can turn to in any given mood.  Ted Hughes, I read primarily for his nature poetry which illuminates creatures and landscapes that I see all the time with a clarity and accuracy which make me see them in a new way.</p>
<p><em>Wolfwatching </em>is a collection of poems which divides fairly evenly into the nature poems that I love so much and poems about Hughes&#8217; father and their relationship.  I personally prefer the former type because of the shocks of recognition that they provide; the poems which aren&#8217;t centred around the natural world are more opaque and harder to pin down, but they feel profound even if I don&#8217;t understand them as well.  It is a slim volume of only 55 pages, but it is powerfully written and full of beautiful phrases.</p>
<p>As I find it almost impossible to review poetry, I thought I would share some of my favourite passages instead.  The first example is drawn from the first poem in the book, &#8216;A Sparrow Hawk&#8217;:</p>
<blockquote><p><em>Those eyes in their helmet</em></p>
<p><em>Still wired direct</em></p>
<p><em>To the nuclear core – they alone</em></p>
<p><em> </em></p>
<p><em>Laser the lark-shaped hole</em></p>
<p><em>In the lark’s song.</em></p></blockquote>
<p>I love how it both physically describes the bird and conveys the speed, efficiency and deadliness of the hawk&#8217;s attack.</p>
<p>Next is an offering from &#8216;Manchester Skytrain&#8217;, perfectly describing a highly-strung racehorse:</p>
<blockquote><p><em>Every known musical instrument</em></p>
<p><em>The whole ensemble, packed</em></p>
<p><em>Into a top-heavy, twangling half ton</em></p>
<p><em>On the stilts of an insect.<br />
</em></p></blockquote>
<p>And finally, the famous ending of one of the more esoteric poems in the collection, &#8216;Two Astrological Conundrums II: Tell&#8217;:</p>
<blockquote><p><em>With all my might &#8211; I hesitated.</em></p></blockquote>
<p><strong><em>Wolfwatching</em> by Ted Hughes.  Published by Faber and Faber, 1989, pp. 55.  First edition.</strong></p>
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